«Siste Gnist» er TrioGnists første prosjekt sammen som trio og samarbeidet som ga trioen dets navn.
«Siste Gnist» er historien om Johanne Nielsdatter som var den siste kvinnen som ble brent for hekseri i Norge. Dette skjedde i 1695 i Kvæfjord i Nord-Norge på en tid da religion og overtro spilte en dominerende rolle i vanlige folks liv.
TrioGnist består av sopran Stine Mari Langstrand, cellist Ingeborg Skomedal Torvanger og pianist Monica Munkvold Døsen. De er alle fra Harstad i Troms, men jobber nå som musikere i Oslo.
Tekstene er skrevet av Ola Bremnes og musikken av Arne Dagsvik.
Ola Bremnes: «Det er lite vi egentlig vet om Johanne, annet enn at hun ble anklaget for trolldom.For meg er hun en representant for alle de som i denne tiden fikk kastet grunnløse anklager over seg og måtte bøte med livet for noe de ikke hadde gjort. Dette var storhetstiden til såkalte «fake news»,basert på uvitenhet,rykter og fordommer. Kjenner vi oss kanskje igjen i dette i dag?»
Innspillingen er gjort i Jar kirke i Bærum.
Terje Baugerød har produsert innspillingen.
Trio Gnist: Stine Mari Langstrand – sopran Ingeborg Skomedal Torvanger – cello Monica Munkvold Døsen – piano
Ola Bremnes – forfatter Arne Dagsvik – komponist
Produksjon / innspilling / miks / master: Terje Baugerød, TerjeB Production Coverdesign: Marie Uglum Døsen Coverfoto: Heidi Hallseth
Kor på «Jeg er en seiler»: LOVA, Madagaskar Produksjon: Terje Baugerød i samarbeid med bandet Tekniker: Terje Baugerød Miks: Terje Baugerød Master: Cutting Room Coverdesign: Oscar Jansen
Allerede den første gangen de fire medlemmene i Stampestuen spilte sammen skjønte de at de hadde et unikt uttrykk. Anders Lillebo, Beate Børli Løkken, Jon Brodal og Annar By var alle godt etablerte musikere på den norske jazz-og folkemusikkscenen før deres felles interesse for gammel visemusikk brakte dem sammen. De fant raskt tonen både på og utenfor scenen og bestemte seg for å danne bandet Stampestuen.
Sammen arbeider de med gamle viser fra inn- og utland, og forsøker å trekke disse inn i vår tid. Stampestuen ønsker først og fremst å være historiefortellere, og slik gi lytteren et innblikk i de mange skjebnene som skjuler seg bak disse tekstene.
I arrangereringen av musikken henter de inspirasjon fra ulike sjangre som jazz, pop og folkemusikk men forsøker likevel å være tro mot den opprinnelige «sjelen» i visene. Gjennom en innovativ bruk av instrumenter som trøorgel, hardingfele, dulcimer og salmodikon skaper de et spennende sound som presenterer de gamle tekstene på en god måte.
Stampestuens debutplate «Brev fra Amerika» tar for seg emigrant-viser og annen musikk som knyttes til den norske utvandringen til Amerika.
Musikken er innspilt i Utvandrerkirken på Migrasjonsmuseet i Ottestad og i Ris kirke i Oslo.
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Stampestuen eller Stampstua er navnet på en liten husmannsplass på Trønnes i Stor-Elvdal. Navnet kommer av at det tidligere stod ei vadmels-stampe der.
Stua er gammel, og mye tyder på at den har stått der siden begynnelsen av 1800-tallet. Beates tipp tipp-oldefar, Ola Andreassen Stampstuen (1818-1900) bodde der, og gikk under navnet Stampstu-gammer’n.
Stua symboliserer på en god måte husmennene og hverdagsmenneskene som er opphavet til musikken bandet forvalter.
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Annar Nohre By – gitar, vokal Jon Hjellum Brodal – fele, hardingfele, vokal Beate Børli Løkken – vokal, psalmodikon, piano, autoharpe Anders Lillebo – trøorgel, trekkspill, piano, fløyte, gitar, dulcimer, vokal
«Stampestuen har lukkast med å for- midla det inderlege og sentimentale i desse songane utan at det tippar over i parodi – noko som lett kan skje når alvorstunge tekstar vert kopla med lette og lystige melodiar, som «Nu vil jeg reise langt herfra, langt over til Amerika». Det er i det heile tatt fascinerande korleis Stampestuen har fått desse visene til atter ein gong å framstå som aktuelle og gjevande å lyda på.»
Hamar Arbeiderblad (5/6)
“Alle har en onkel i Amerika – og Stampestuen har tolka visene hans.” “Skiva byr på folkemusikk av høy kvalitet…” “Spennende saker!”
«Det er vakkert, sterkt og inderlig og historiene som blir fortalt forteller oss mye om hvor vi kommer fra og hvorfor så mange av våre forfedre tok det store valget og utvandra.»
Ola Asdahl Rokkones lives in Tromsø in the north of Norway, but regularly appears with bands and orchestras all over Europe. He is an independent artist, and one of few saxophonists working both within classical music, jazz and folk music.
Terje Baugerød works as organist in Ris Church in Oslo, in addition to an active career as a performer, producer and composer. He is an openminded, improvising musician and works in particular with classical music, pop, electronica and traditional music from different cultures.
Their artistic ambition of this project is to perform both new and old Christmas songs in their own, and for the audience perhaps unexpected arrangements, highlighting both improvisational elements, jazz and folk music elements. They want the audience to get a strong, and perhaps overwhelming, musical experience, taking advantage of the sound potential in the church room and the dynamic range of the combination of the organ and the tenor saxophone.
Ola Asdahl Rokkones – tenor saxophone
Terje Baugerød – organ
All arrangements: Ola Asdahl Rokkones & Terje Baugerød
iTromsø: «Rokkones og Baugerød skaper et dempa og stemningsfylt musikalsk landskap gjennom arrangement og utmerka behandling av sine instrumenter.” (4/6)
Tor Hammerø – Tor de Jazz: «Resultatet har blitt et flott julekort for orgel og saksofon der de to, og instrumentene deres, viser oss at de kler hverandre på et framifrå vis.”
Nordische Musik (DE): “Zauberhaften Einspielungen. Sehr schön, für Jazzfreunde ebenso wie für traditioneller eingestellte »Klassik«-Hörer.” (5/6)
The vocal group Fauna was established in the autumn of 2009 at the Norwegian Academy of Music. The group consists of five skilful members who have their backgrounds from different musical traditions:
Silje Worquenesh Østby Kleiven Camilla Marie Bjørk Andreassen Beate Børli Løkken Christina Thingvold Gudrun Emilie Goffeng
Fauna works with folk songs outside of the conventional folk music tradition. This enables them to explore an intriguing sound, as two of the members are trained jazz singers, while the remaining three are practised in the classical tradition.
Fauna’s musical arrangements are written by the members of the group, and all compositions are tailored for their voices.
Through the music it becomes evident that it is the mixture of differences that makes up the unique and brave sound they present here.
With their debut album Solefall (Sunset), the Norwegian vocal ensemble Fauna leads the listener through a beautiful selection of Norwegian folk songs, all somehow thematically bound to the evening, night and morning. The result is a beguiling and engaging album with great textural variety, spanning from fragility to brutality.
«Solefall» is an album that breaks some new path in the vocal folk music´s many labyrinths. It requires a little courage to publish such an album – and then it’s good to hear that they succeed.»
«Jazzmine – The Play” contains of 9 original tracks of pure instrumental Jazz fusion from the land of the Midnight Sun! JAZZMINE got together in the fall of 2014, and consists of an exiting mix of musicians from various countries in Europe: Germany, France, Hungary, Romania and Norway. All members are living in Oslo, so this is indeed a brotherhood project.
The CD was recorded live at Holmenkollen Chapel in Oslo late february 2015 by sound engineer Olav Erik Johansen. Mixed by Olav Erik Johansen and Tore Bø. Mastered at Propeller Mastering as in Oslo by Morgan Nicolaysen. All 9 tracks are composed and arranged by Tore Bø. CD released by TerjeB Productions.
This summer JAZZMINE has attended the two biggest jazzfestivals in Norway: the Kongsberg Jazzfestival and Molde International Jazzfestival. The band has also played at other smaller jazz clubs and venues in Norway, establishing themselfes as a live band that recieves great feedback from both organizers and the audiences.
JAZZMINE band members:
Magnus Bakken – Tenorsax/AKAI Ewi Erik Rochette – Guitars Zsolt Molnar – Vibraphone/MALLET Kat Levente Gyarfas – Keyboards Niklas Østergaard – Drums Tore Bø – Bandleader / Bass
Hooked on music (DE) «Diese Scheibe groovt, rockt, reißt mit, funkt, ist obercool und trotzdem gefühlsecht. Beide Daumen hoch für diese Leistung!”
Musikreviews (DE) «Ein Album mit den langweiligsten, nichtssagenden Titelnamen hinter denen sich Musik verbirgt, deren abwechslungsreiche Aussagekraft schon nach dem ersten Hördurchgang verblüfft und dann, spätestens nach dem zweiten Durchlauf begeistert.”
Ragazzi (DE) «Wider Erwarten besticht die Scheibe durch ihre absolut positive Grundstimmung – nix mit skandinavisch-sklavischer Melancholie und Düsternis. Vital Information und Steps Ahead fallen mir beim ersten Hören als Reminiszenzen ein, was sich bei den Folgehördurchgängen bestätigt, vielleicht ergänzt um Yellowjackets, Spyro Gyra und The Rippingtons (letztere ohne die Schmusekatze, dafür mit einigen ripping tones); wären Toto eine Fusion-Band, würden sie vermutlich ganz ähnlich klingen wie Jazzmine.»
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Label no: HZ7-007
RELEASE DATE: 4. september 2015 / 23. october 2015
Halm, strå, bambus og sykkelvaier (Stubble, straw, bamboo and bicycle brake wire) by Anders Rønningen, with valuable contribution from many of his musical friends on Madagascar, is probably the most exotic Christmas release this year.
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«I have enjoyed myself making this album a few late nights at Christmas time in 2013 at Antsirabe, Madagascar, where I have been so fortunate to live and work for a while.
It can be challenging to produce Christmas spirit when poverty is leaning against the wall outside, begging for food. Perhaps this has lowered the level of ambition and my willingness to gloss polish the music. I do not think it matters. The Christmas message might be even clearer. My Christmas dogma – and my hope for this recording – is that the simple, spontaneous, down to earth and maybe a little rusty sound will impart a Christmas feeling that does not conceal the real story that happened on the fields of Bethlehem in all its unthinkability: There, in a poor and dusty city – perhaps it was a bit like in Antsirabe – Jesus was born and laid on stubble and straw.
The main instrument on this recording is «Valiha», which is a Malagasy instrument made of bamboo and bicycle brake wire.
I think it’s a nice connection there, and therefore named this Cristmas Cd: ”Stubble, straw, bamboo and bicycle brake wire”. And with this, I wish you a great Christmas.
The product may contain traces of dust.»
Anders Rønningen
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Arrangements and all instruments (Valiha, guitar, kabosy, korintsana, amponga): Anders Rønningen
Technician: Toky AR
Studio: «Lovasoa Sound», which is part of L4C, Antsirabe, Madagascar. www.lovasoa.mg
Many thanks to the singers and Choir: Hege Magnusson, Liv Stavnes Mevatne, Nils Kristian Høimyhr, Jean Revoma Maksera, Toky, Anders Rønningen and Chorale Militaire LOVA
Mastering: Terje Baugerød
This recording supports The Norwegian Mission Society ”worthy life – lasting hope”.
Anders Rønningen is a Norwegian composer, arranger, ethnomusicologist, music researher and guitarist. He has lived and worked several years in Madagascar and speak the language and knows the culture very well. He also plays valiha, which is the national instrument of Madagascar.
He has lead several collaboration project between musicians and choirs from Norway, ;Madagascar and other countries, and contributed as a musician/produces/arranger in several of these. IN 2004, the album «Avtrykk» was released after a project where malagasy choirs sang well known psalms together with the Norwegian artist Kari Iveland. In 2008 he worked with the choir «Malaïka» from Cameroon, and composed together with the famous Norwegian writer and artist Ole Paus the work: «God´s Dream». This was written for female voices, string quartet, african choir and valiha, and has been performed several times.
As for now he is working free lance as composer/artist and is preparing his PhD at the Norwegian Academy of Music.
Fulani is an ethnic group (about 20 million) who live in many countries in Sahel – the lower Sahara region of West Africa. They are traditionally nomads and herders. Today many are settled. The fulani culture also includes farmers, artisans, griots, and traders. About 1 million live in Mali. They are hospitable, proud and carriers of rich musical and other cultural traditions. Near the Sahara and the Niger bank they live their lives. Anyone who sits down and listens to the Fulani stories have much to learn. The recordings are made in Sevare in the Mopti region in Mali. The collaboration between singers and musicians from Norway and Mali, we want to contribute to the growing fulani church in Mali to use the music tradition in their worship. We hope that this cooperation will strengthen the ties between our two countries. Fulani voices are worth listening to. It was originally released on CD in 2009 (NO CHM 0901) and released digitally in 2013, licensed from NMS to Terje Baugerød´s label, TerjeB Production.
Daniel Dama – vocal Terje Baugerød – keyboards Harald Skullerud – pecussion, calabas, kalimba, mbira etc. Mattis Kleppen – bass Olav Torget – guitar, ngoni / konting Anders Røine – munnharpe (jew´s harp), langeleik Boukari (Woogee) Coulibaly – Woogeeru (1-string violin) Boussoura Coulibaly – Sereendu (fulaniflute) Anne Flugstad – vocal Esther Hodi – vocal Dorcas Isac – vocal Sangere fra Sangverket m.fl. – choir
music / lyrics: Daniel Dama arr: Terje Baugerød translations: Rigmor Frøyen ill.: Randi Eilertsen graphic form: Bjørnar Nørstebø
produced, recorded and mixed by: Terje Baugerød mastering / CD-production: Cutting Room
Recorded in Sevare, Mali and Oslo, Norge
Label no: HZ7-002 (digital) / NO CHM 0901 (CD)
RELEASE DATE: 10. june 2009 (CD) / 25. november 2013 (digital)
